Listening and Pre-interviews
- What is a pre-interview? Why do you do one?
- Do you film pre-interviews?
- Can you share an example of how you would ask others about your ideal Heart?
- How do you avoid repeating pre-interview questions in the interview?
- Do you have questions I could ask our couples via email or a questionnaire to get to know them better?
- Why bother asking big, general questions in the pre-interview—like what's your big dream—if they don't align with the film's purpose?
- What if the actual interview isn't as strong as the pre-interview?
- Should I ask the exact same questions in the pre-interview and the interview?
- What do you mean by challenge inconsistencies?
- How would you respectfully ask/share sensitive story content?
- Do you ever submit your questions to the subject before the pre-interview?
- What if you can only get one interview/chance to sit down with someone?
- Can you give an examples of looking for inconsistencies in The Final Stitch and Soar?
- Can you make any recommendations creating smart efficiencies around pre-interviews and analysis of those interviews?
- Do you always conduct pre-interviews in-person?
- Any tips on how to learn more about the wedding day before I arrive?
- Do you ask questions separately between the bride and groom to find the Big 3 Things?
- Getting multiple perspectives doesn't mean you have to show multiple interviews, correct?
- What if there is very little to no information on the web about your potential Heart? How else might you research them?
- In commercial work, how do I uncover a character's personal Desire and Complexity, beyond their career?