Places Pillar
- What's the difference between Situations and Plot?
- What are some questions to uncover the 4 Layers of Place?
- How do you get organic smiles?
- How do you feel about interior vs. exterior interviews?
- Do we consider Places for potential characters as we go? Isn't that a lot of work?
- How do Situations differ from plot points?
- Is there an overlap in Situation and time? Is there an overlap in the 4 Layers of Place?
- Should we avoid the ring shots, shoes, cake cutting, and dress shots as Places in a wedding film?
- Can Places also take on a metaphorical form within the visuals?
- Can you really consider Places without having visited those places?
- Any tips on getting access to restricted locations?
- Are we coming up with multiple, ideal scenarios for Places like we did for People?
- How do Situations give specific context to the viewer?
- Why the stadium for the "reveal" scene in The Final Stitch?
- How can we make audience understands all of the background story of our Places?
- In a wedding film, what would you do if you showed up and nothing was happening but hair and make up and guys sitting around getting dressed?
- Should we brainstorm as many Places as possible for each of the Big 3 Things?
- Is it possible for the Heart to transcend expected places?
- Do you let the bride or groom choose the wedding film music?
- When it comes to narrative fiction, when do you start focusing on Place when it comes to scripting and storyboarding?